A narrative is a spoken or written account of connected
events. A narrative tells a story. The narrative of our film opening was of a
teenage girl going missing and her friends search for her. We created the
narrative through a montage of clips of the friends together and then skipping
to a plea for the missing girl to come home. We also incorporated shots of
photos of the friends being burnt to add more mystery to our narrative.
Within our narrative we created we implemented a few
conventions created by different theorists such as Strouse, Propp, Barthes and
Todorov. These four theorists have different ideas of narratives and how
narratives work. Strouse’s theory focuses on binary opposites (good vs. evil,
rich vs. poor). We were able to involve this convention within the narrative
for our film opening. Within the film opening there are multiple clips of three
teenage girls having fun, messing around at arcades, going to school. They
portray a close knit trio of friends and the audience are able to pick up on
their happiness and care free atmosphere. But the clip switches between
photographs of the friends being set on fire and then shows two of the girls
filming a ‘come home’ plea. It is made clear that one of the girls has gone
missing. This sudden seriousness of the film creates the binary opposites. It
begins with a happy care free attitude but rapidly changes to serious, mature
potentially scary atmosphere. It shows the friends broken up, which is a
contrast to the closeness that was portrayed at the beginning.
This switching of the opposites can link to Todorov’s theory
of narrative structure. Todorov’s theory is that all narratives start with
equilibrium. Further on in the narrative there is a disruption to the
equilibrium and then the narrative finishes with restoration of the
equilibrium. The start of the film opening highlights the equilibrium of the
narrative – the girls all together having fun as close friends. The disruption
of this is one of them going missing. Since we have only created a film opening
we can not expand on this disruption and we can not finish the structure by
restoring it.
Another theorist that is relevant in our film opening
narrative is Propp. Propp states that within every narrative there are the same
characters: the hero, the villain, the damsel in distress, etc. Again this
theory can be seen in our film opening, with the three characters presented.
Dissimilar to the idea of having one hero in a narrative, our narrative
contains two heroes – the two girls searching for their missing friend. The
damsel in distress character is the missing girl. But the introduction of our
narrative does leave the audience with questions such as “Why has the girl gone
missing?”, “Are those two girls really heroes? or do they have something to do
with her disappearance?”. This questioning of the narrative and the characters
presented lead onto Barthes theory of enigma codes. Enigma codes are a key
feature in any narrative as they keep the audience guessing and engaged in the
narrative. In our film opening there are multiple clips of someone burning
photographs of the three friends. This destructive act brings mystery to the
audience because they want to know why the photographs of the friends are being
burnt and who is burning them?
Overall, narrative is extremely important to a production
and the theories and conventions that can be used within a narrative improve it
significantly as they not only bring a safe well thought out structure, but
they can also bring twists and add mystery to the narrative which keeps the
audience engaged, which is why we used them in our film opening because we want
our film opening to be a success.
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